Vernissage, the 7th Schildersweek Domburg 2010
Photographs: René Coene
(Summery) The 7th Painters‘ Week, Domburg, the Netherlands, has not only established a good reputation, but has also become an honored tradtion. During Ascension week, some 25 artists were working in Domburg who came from far and wide: Argentina, Chile, Denmark, Germany, Greece, Great Britain, Japan, Russia and the USA. This project brings people closer. ….The resulting works of art are, an agreeable surprise, a real achievement. I want to express thanks lots of support of the provinces of Zeeland and Vere, our other sponsors.
Leo van der Hoest,
Chairman Art & Performance
Excerpt from the catalogue:...Mayumi Yamakawa preers to work in a more abstract way, but in Domburg she opted for figurative approach. She did, however, use her homemade egg tempera, According to her this material is the perfext companion for the norhtern European light. Author: Marjan Groothuis
Shots of artists' activities, during the 7 days Painters Week
Technique, material, color concept and canvas size are variable by each artist. Only theme is the same for all artists: Domburg
Street performance by artists
Passersby ask to make portraits to artists, action paintings are created, landscapes is depicted, and photographs are taken with members of the public.
Artwork by Piet Mondrian
Born in 1872, Netherland – 1944, New York City
Domburg is perhaps best known for its hosting of a group of artists of which Piet Mondrian is the best known. His Pier and Ocean paintings was inspired by the same location where James Abbott McNeill Whistler painted the Domburg sea with its characteristic piers which do not cater for the happy crowd but are meant to break waves that may damage the dunes and thus the existence of the place. This lead Domburg to be a testing ground for Leiden's De Stijl movement.
De Stijl (The style)
De Stijl, Dutch: 'The Style' was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden. Mondrian set forth the principles of neoplasticism in his essay "Neo-Plasticism in Pictorial Art". He wrote, "this new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour". With these constraints, his art allowed only primary colours and non-colours, only squares and rectangles, only straight and horizontal or vertical lines
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